• On top of a white background, the following is written in larger black text across the top

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    Event listing. Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022.

  • Six people sit on stage around a low table. The first rows of the audience are visible.

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    Left to right: Megan Hoetger, Nando Messias, Diana McCartney, Grant Watson, Anik Fournier, Frédérique Bergholtz. Reading performance. Grant Watson, How We Behave (2012-ongoing). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photographer unknown.

  • A group of people stand around the stage of an auditorium. Above them, an image of a person wearing earphones is being projected. Beneath it, to the right and to the left, two other projections show a slide with text, which reads

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    Rehearsal documentation. Linus Gratte and Alice Pialoux, “Voices and Bodies in the Centre: Recording back and forth” performative presentation with contributions from Kayige Kagame (pictured) and Helena de Laurens. Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo: Megan Hoetger.

  • Two people sit on stage. Above them, the face of a person against a dark blue background is being projected.

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    Linus Gratte and Alice Pialoux, “Voices and Bodies in the Centre: Recording back and forth” performative presentation with contributions from Kayige Kagame and Helena de Laurens (pictured). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photographer unknown.

  • A person sits in front of a laptop computer. Their reflection also appears on a glass in front. The image has an orange hue.

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    Rehearsal documentation. Salim Bayri, “Congress Speech from a Crumbly Speech from a Time We Don’t Relate to Anymore,” a performance-lecture with the artist’s Hadra Collider (2018-ongoing). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo: Megan Hoetger.

  • Instagram story showing an orange light panel and some text.

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    Performance documentation. Salim Bayri, “Congress Speech from a Crumbly Speech from a Time We Don’t Relate to Anymore,” a performance-lecture with the artist’s Hadra Collider (2018-ongoing). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022.

  • Schematic consisting of several small squares and some connecting lines.

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    Schematic. Salim Bayri, Hadra Collider, 2021-ongoing. Courtesy of the artist.

  • In a dark space, a person stands behind a control desk.

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    Performance documentation. Paula Montecinos Oliva, Revolvə (2022). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo: Andy Dockett.

  • Two sentences are projected in white on a dark space:

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    Installation documentation. Paula Montecinos Oliva, Revolvə (2022). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo composite by Montecinos Oliva.

  • People take their seats in a dark auditorium.

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    Performance documentation. Paula Montecinos Oliva, Revolvə (2022). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo: Andy Dockett.

  • Pink spotlights illuminate a dark surface.

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    Performance documentation. Paula Montecinos Oliva, Revolvə (2022). Active Archives, Performing Social Realities in Archival Contexts, curated by Megan Hoetger for The Whole Life. Archives and Imaginaries congress, House of World Cultures, Berlin, March 2022. Photo: Andy Dockett.

“How do archives perform social realities? What practices activate archival materials? And how can archival activisms push against the dominant forms of narrative production and knowledge transmission that shape social and political discourse? Moving across artistic and curatorial research practices, the opening program introduces a range of performance-based archival methodologies that work through voice, (mis)translation, the dialogic, audio registration and sonic-scape as they experiment with how storytelling can happen otherwise. The contributors each approach the relation between archive and society as a two-fold set of ongoing negotiations: between activation and activism, and between making public and making publics. Weaving their performative propositions through particular archival histories, they rehearse what it means to ‘do’ archive work today.”

Active Archives was a program conceived in conversation with Stefan Aue and Lama El Khatib, which Hoetger curated for the opening night of The Whole Life. Archives and Imaginaries at the House of World Cultures, Berlin. The event brought together four artistic and curatorial practices that take up performative entry points into archive work, or the work of the archival, and the contested social realities such work has the potential to recall, reframe, reproach, rewrite, reconfigure, and reattune.

Active Archives was produced as part of The Whole Life. Archives and Imaginaries, a congress and exhibition realized for the culmination of a five-year cross-institutional initiative entitled The Whole Life. An Archive Project. The initiative began in 2018 as a collaboration between the House of World Cultures and Arsenal - Institute for Film and Video Art E.V.⁠(opens in a new tab), Berlin; the Archive of the Avant-gardes⁠(opens in a new tab), State Art Collections, Dresden; and the Pina Bausch Foundation⁠(opens in a new tab), Wuppertal. Hoetger joined the project in 2019 as a member of The Whole Life Academy, Dresden. Special thanks to Aue and El Khatib for their invitation to curate the opening night program.