• Open booklet with light green pages. On the left, the date

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    EXPRMNTL Nights programme listing. Spring 2019 season booklet, Film Plateau University Film Club, Ghent University.

  • On top of a grey background, possibly a wall, the following text has been handwritten:

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    Acknowledgements slide. Unknown film.

  • Red square with letters in black, reading:

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    Title Slide. Fugitive Cinema Production.

  • A person is laying down with their right cheek on the floor, facing the camera. Behind them, several people stand up in a line, facing a different direction.

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    Still. Herman Wuyts, De Overkant, 1967. 16mm film; b&w; sound; 10:00 minutes.

  • The heads of four people are visible in a black-and-white photograph, which is in the shape of an incomplete circle, cut at the top. Above their heads, black text reads, in all caps,

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    Still. Robbe De Hert, A Funny Thing Happened on My Way to Golgotha, 1974. Animation; color; sound; 6:00 minutes.

  • Green page with a photograph in the middle. The photograph shows one feminine and one masculine presenting person. They are shoulder to shoulder, but facing opposite directions. Below the photograph, large black text reads:

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    Spring 2019 season booklet. Film Plateau University Film Club, Ghent University.

EXPRMNTL Nights was a three-part film screening programme, which looked at the history of EXPRMNTL, the first international experimental film festival to emerge after the Second World War and a legend in the history of postwar experimental film. Began in Brussels in 1947 as a part of the Festival Mondial du Film, and later staged in Knokke on the Belgian coast as its own alternative festival space, EXPRMNTL brought together filmmakers from around the world during some of the hottest years of the Cold War period.

In EXPRMNTL Nights, Hoetger examined the tensions between domestic production and international visibility in the Belgian context, looking at the political stakes of the festival inside the country, as well as its geopolitical position outside of it, in the emergent landscape of Western European liberal democracies. Night one featured the eponymously titled documentary by Belgian filmmaker Brecht Debackere. Nights two and three included curated programs focused respectively on international films at the festival and Belgian films at the festival, including titles such as: Kenneth Anger’s Fireworks (1958); Stan Brakhage’s Reflections on Black (1958); Takahiko Imura’s Onan (1963); Roland Lethem’s La ballade des amants maudits (1967); Robbe de Hert’s A Funny Thing Happened on My Way to Golgotha (1967); Jean-Marie Buchet’s Potemkine 3 (1974). The closing night of the program was followed by a post-screening discussion between Hoetger and Belgian filmmakers Jean-Marie Buchet and Roland Lethem.

Program realized at KASK Cinema⁠(opens in a new tab), Ghent in April and May 2019 on invitation of Professor Daniel Biltereyst and Lennart Soberon from the Film-Plateau series at the Centre for Cinema and Media Studies, University of Ghent⁠(opens in a new tab). Special thanks to Lisa Colpaert for her production support.