• On top of a table, there are several sticky notes, a photograph, a shell, a rock, pens and highlighters, and a sheet of paper with a photograph of two people and some words in black text. A hand is resting on top of this paper. There is a white digital frame around the photograph.

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    Homepage project icon. Sands Murray-Wassink and Aimar Arriola, RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • Pink page with a digital collage of images and text in the middle. On the top left corner, black text reads:

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    Chapter icon page. Sands Murray-Wassink and Aimar Arriola, RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021. Collage by Megan Hoetger.

  • Mustard yellow paper with a see-through shape consisting of a rectangle and a semicircle. Inside the rectangle, there is a small, rectangular piece of white paper with the following text:

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    Perfume insert. Sands Murray-Wassink letter with insert in Dear⁠(opens in a new tab), a postal series initiated by Martha Jager and Sophie de Serière, Foundation Perdu, Amsterdam, June 2020.

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    “Chapter Three: Aquarian Late Responses” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

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    Sands Murray-Wassink, My Life is a Search For Like-Minded People, 1996. Thought drawing; SMW A4 business stationery with fruit scented marker.

  • Pink page with a block of text and a black-and-white photograph. The photograph shows a naked person sitting against a wall with their legs open. They are resting their head on their right hand. On the top left corner of the page, black text reads:

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    “Chapter Four: I Am More Interested in Content” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • Pink page with three large paragraphs of black text. On the top left corner, larger black text reads:

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    “Chapter Six: Missing Strands” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • Pink page with six paragraphs of text. The first paragraph is black and the remaining text is purple. On the top left corner, larger black text reads:

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    “Chapter Six: Missing Strands” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • Pink page with four photographs. These photographs show the same two people posing for the camera, in selfie pose. They have a scarf wrapped around them. The photograph was taken in an indoor space. A ladder is partially visible on the two photographs at the bottom. On the top left corner, large black text reads:

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    “Chapter Six: Missing Strands” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • Pink page with some text and an image. The image shows a screenshot of an Instagram post, with the caption and comments appearing in a white column on right side. On the top left corner, large black text reads:

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    “Chapter Seven: To rhyme an ending with a new beginning” from Sands Murray-Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

  • A black garment with fringes is partially visible, with three other images digitally juxtaposed. One of them is a photograph of a black-and-white hand-drawn poster with a horse. Above the horse, the largest text reads

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    Scan of materials sent by Sands to Aimar in September 2020. The background shows a fringed scarf from Aimar signaling the potentiality of loose ends. Pictured top: Sands Murray-Wassink, Horse Painting on fabric, 2018; pictured bottom: Sands Murray-Wassink, I am even better than you think I am, c. 2010. Postcard to be handed out based on Adrian Piper, Calling Card #1 and #2 (1986-1990).

  • A black garment with fringes is partially visible. The fringes appear at the center, whilst the edges of the fabric appear at the bottom and at the top. In the middle, an image with a drawing of a skull had been digitally juxtaposed. Above the skull

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    Scan of materials sent by Sands to Aimar in September 2020. The background shows a fringed scarf from Aimar signaling the potentiality of loose ends. Pictured: Sands Murray-Wassink, Call Me or Die, 1998. Xerox copy of drawing on A4 paper.

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    “Epilogue: Sands music for us” from Sands-Murray Wassink and Aimar Arriola’s RELATIONSHIPS. Feminist Legacies, Queer Intimacies, www.ificantdance.studio⁠(opens in a new tab), June 2020 - February 2021.

RELATIONSHIPS. Feminist Legacies, Queer Intimacies was the second process event convened as part of painter and body artist Sands Murray-Wassink’s 18-month collaborative performance Gift Science Archive. Taking the form of an epistolary exchange, RELATIONSHIPS unfolded over a period of eight months as Murray-Wassink exchanged letters, emails, drawings, photographs, essays and other kinds of materials with the Bilbao-based curator and researcher Aimar Arriola. In their exchange, the two reflected on how ‘queer’ relationships – including the one in the making between them – form, grow, shift and blossom. Across the letters, they share insights into their lives and perspectives on the primary materials (thoughts, feelings and relationships) and key thematics (sex, sexuality, gender, health and self-care) in Murray-Wassink’s art/life practice.

The three Gift Science Archive process events each took up a keyword central to the project — value, relationships, and collaboration — in order to open out the durational performance’s process to public engagement. The RELATIONSHIPS epistolary exchange (26 June 2020 – 6 February 2021) is available online⁠(opens in a new tab) for the public as a quilt-like network of chapters edited together by Hoetger in conversation with Murray-Wassink and Arriola.

RELATIONSHIPS formed part of the commission Gift Science Archive, which Hoetger led as part of the Edition VIII - Ritual and Display biennial program (2019-2021) for If I Can’t Dance, Amsterdam. The project was co-produced with mistral, Amsterdam and Auto Italia, London with support from the Rijksakademie van beeldende kunsten, Amsterdam.