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Students watch “Abhina Aher” video portrait from How We Behave by Grant Watson (2012-ongoing). If I Can’t Dance, Amsterdam, 2021. Photo: Megan Hoetger.
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Students watch a film installation at All About Theatre About Film by Ivo van Hove and Jan Versweyveld. EYE Filmmuseum, Amsterdam, 2021. Photo: Megan Hoetger.
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Students attend a lecture within the frame of Court for Intergenerational Climate Crimes (CICC) by Jonas Staal and Radha D’Souza. Framer Framed, Amsterdam, 2021. Photo: Megan Hoetger.
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Students watch a film installation in the exhibition Mountains and Molehills by Fiona Tan. EYE Filmmuseum, Amsterdam, 2022. Photo: Megan Hoetger.
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Student sits in an installation in the exhibition For those who have no time to play by Gluklya. Framer Framed, Amsterdam, 2022. Photo: Megan Hoetger.
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Students sit inside the exhibition Feed me. Cheat me. Eat me. by Janis Rafa. EYE Filmmuseum, Amsterdam, 2023. Photo: Megan Hoetger.
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Student sits inside the installation Performing Colonial Toxicity by Samia Henni. Framer Framed, Amsterdam, 2023. Photo: Megan Hoetger.
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Students gather around the screen in a listening session with ekphrastic texts from Black Revelry: In Honor of ‘The Sugar Shack’ by Derrais Carter (2021). If I Can’t Dance, Amsterdam, 2023. Photo: Megan Hoetger.
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Student watches projection in the exhibition Bad Color Combos by Yto Barrada. Stedelijk Museum, Amsterdam, 2022. Photo: Megan Hoetger.
Unfolding annually across four days each year, the workshop Performative Writing as Documentation introduced choreography students to the many forms that documentation can take, as well as the functions it can serve, in a performance practice. In particular, it focused on the slippery status of “the document” itself and its many temporalities, highlighting non-visual forms of documentation, especially creative writing. Each morning, students were introduced to materials from the If I Can’t Dance archive, which were brought into dialogue with short readings, screenings, and the students’ own work. In the afternoons, the group then made visits to exhibitions and events around Amsterdam that connected with the morning’s materials; and, finally, a small writing exercise explored in practice the counter-techniques for documentation discussed throughout the day.
This workshop was conceived and facilitated together with If I Can’t Dance Curator of Archive Anik Fournier for the second year curriculum at the School for New Dance Development, Amsterdam.