• A person, squatting down, faces an arid area, with hills at the distance. They appear to be wearing a light blue long garment and a turban.

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    Production still. Arwa Aburawa and Turab Shah, And still, it remains, 2023. Single-channel video; color; sound; 28:00 minutes.

  • A worn-out sign, with the word Zone still visible, hangs on a building. In the background, there is a hill in an arid area. A subtitle reads:

    and-still-it-remains-still014.jpg

    Production still. Arwa Aburawa and Turab Shah, And still, it remains, 2023. Single-channel video; color; sound; 28:00 minutes.

  • Hands, arms and torsos of a group of four people. They are sitting around a rock, where they are placing small rocks on top of a square one of them is drawing.

    and-still-it-remains-still018.jpg

    Production still. Arwa Aburawa and Turab Shah, And still, it remains, 2023. Single-channel video; color; sound; 28:00 minutes.

  • Arid area with sandy hills. A subtitle reads:

    and-still-it-remains-still024.jpg

    Production still. Arwa Aburawa and Turab Shah, And still, it remains, 2023. Single-channel video; color; sound; 28:00 minutes.

  • Three people sit around a low table having a discussion. Two of them hold microphones. There is a book propped up on the table.

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    From left to right: Megan Hoetger, Arwa Aburawa, Turab Shah. Post-screening discussion documentation. Arwa Aburawa and Turab Shah, And still, it remains (2023). Framer Framed, Amsterdam, January 2024. Photo: Jean Medina.

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    https://www.youtube.com/watch?v=63Y0UPONTU0

    And still, it remains trailer for the world premiere with CPH:DOX, Copenhagen, 2024.

And still, it remains by filmmaking duo Arwa Aburawa and Turab Shah spends time with residents of a village in Algeria’s Hoggar Mountains who live surrounded by ancient rock art and the legacy of France’s nuclear bombs. Examining time, toxic colonialism and how we survive the end of our world, the film departs from feminist thinker bell hooks articulation of a particular way of knowing that comes from experience: “it’s a deep understanding that is often expressed through the body, as what they know has been deeply inscribed on it.” What does it mean to live in such intimacy with toxic colonialism? What understanding is gained from this proximity? How do people make sense of what happened to them? What are their ideas of justice? And finally, how do they find a way to carry on?

The screening was followed by a conversation in which Aburawa and Shah reflected with Hoetger on their interest in sonic landscapes and the modes of listening taken up in their film.

The screening of And still, it remains was organized as part of Hoetger’s public program for Performing Colonial Toxicity, an exhibition by Samia Henni conceived by Henni and Hoetger in collaboration with Framer Framed, Amsterdam where it was on view 7 October 2023 - 14 January 2024. Henni’s exhibition formed part of the commission Performing Colonial Toxicity, which Hoetger led as part of the Edition IX - Bodies and Technologies biennial program (2022-2023) for If I Can’t Dance, Amsterdam.