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Book cover. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Book cover with dust jacket. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Samia Henni (left) and Megan Hoetger (right). Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.
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Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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ct02c.jpg
Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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ct03a.jpg
Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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Left to right: Sara Giannini, Samia Henni, Megan Hoetger. Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.
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ct03b.jpg
Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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ct03c.jpg
Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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ct03d.jpg
Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.
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ct04c-maarten-nauw.jpg
Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.
Between 1960 and 1966, the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs and conducted other nuclear experiments in the Algerian Sahara, whose natural resources were being extracted in the process. This secret nuclear weapons programme occurred during and after the Algerian Revolution, or the Algerian War of Independence (1954–62). The resulting toxification of the Sahara spread radioactive fallout across Algeria, North, Central and West Africa, and the Mediterranean (including Southern Europe), causing irreversible and still ongoing contaminations of living bodies, cells and particles, as well as in the natural and built environments.
Architectural historian Samia Henni’s Colonial Toxicity brings together nearly six hundred pages of materials documenting this violent history of France’s nuclear bomb programme in the Algerian desert. Meticulously culled together by Henni from across available, offered, contraband, and leaked sources, the book is a rich repository for all those concerned with histories of nuclear weapons and engaged at the intersections of spatial, social and environmental justice, as well as anticolonial archival practices.
Colonial Toxicity formed part of the commission Performing Colonial Toxicity, which Hoetger led as part of the Edition IX - Bodies and Technologies biennial program (2022-2023) for If I Can’t Dance, Amsterdam. The book’s first edition was co-published in 2024 by If I Can’t Dance, Amsterdam; Framer Framed, Amsterdam; and edition fink, Zurich.
Nominated for Best Dutch Book Designs 2024(opens in a new tab).
Author: Samia Henni
Managing editor: Megan Hoetger
Contributing editor: Georg Rutishauser
Copy editor: Janine Armin
Design: François Girard-Meunier
Page count: 592
ISBN: 978-94-92139-24-5 (Amsterdam)