• Orange tinted photograph of an arid area with some vegetation and small rocks.

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    Book cover. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Purple book cover.

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    Book cover with dust jacket. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Top edge of book, with pages forming a colour gradient.

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    Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • ct-overview.mp4

    Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Two people sit next to each other on a stage. Megan speaks into the microphone. At the front, slightly blurred, three people face the stage.

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    Samia Henni (left) and Megan Hoetger (right). Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.

  • Red tinted book spread, with eight photographs on each page. The photographs show a small building, a wire fence and small objects in a desert area.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Red tinted book spread, with three photographs. The photographs show a desert area, a wire fence and two half buried unidentifiable structures.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Pink tinted book spread, with three photographs. The photographs show cranes. On the right, the crane is lifting materials. Under the photograph,

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Pink tinted book spread, with four photographs. The photographs show a team of people dressed in full coverage white suits arriving at a base consisting of several low buildings.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Book spread, with two scanned pages with three photographs. They are aerial photographs of one or several desert bases, consisting of several buildings of different sizes.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • A person is reading from a book, holding the microphone. Two people, one on each side, look towards the person with the microphone.

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    Left to right: Sara Giannini, Samia Henni, Megan Hoetger. Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.

  • Book spread, with two scanned pages with seven photographs. The photographs show different buildings and some structures under construction. The word

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Blue tinted book spread, with two portrait photographs, one on each page, and a description for each of them. The photographs show two different feminine-presenting people in traditional North African dress.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • Blue tinted book spread. On the left page, a photograph shows a group of people sitting cross-legged. Across from them, someone holds a boom mic to the middle of the space. Everyone but the mic operator is wearing a turban. On the right page, there's the first page of an article on Mertoutek, accompanied with the photograph of a masculine-presenting person wearing a turban.

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    Preliminary layout design. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Design by François Girard-Meunier.

  • In a lofty exhibition space, a group of people gather facing a stage. Many are sitting, others stand at the back. Around them, there are large screens, with photographs printed on them. On one of the screens, a video is being projected. On stage, four people sit on chairs.

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    Book launch documentation. Samia Henni, Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara (Amsterdam: If I Can’t Dance and Framer Framed, 2024). Framer Framed, Amsterdam, January 2024. Photo: Maarten Nauw, courtesy of Framer Framed.

Between 1960 and 1966, the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs and conducted other nuclear experiments in the Algerian Sahara, whose natural resources were being extracted in the process. This secret nuclear weapons programme occurred during and after the Algerian Revolution, or the Algerian War of Independence (1954–62). The resulting toxification of the Sahara spread radioactive fallout across Algeria, North, Central and West Africa, and the Mediterranean (including Southern Europe), causing irreversible and still ongoing contaminations of living bodies, cells and particles, as well as in the natural and built environments.

Architectural historian Samia Henni’s Colonial Toxicity brings together nearly six hundred pages of materials documenting this violent history of France’s nuclear bomb programme in the Algerian desert. Meticulously culled together by Henni from across available, offered, contraband, and leaked sources, the book is a rich repository for all those concerned with histories of nuclear weapons and engaged at the intersections of spatial, social and environmental justice, as well as anticolonial archival practices.

Colonial Toxicity formed part of the commission Performing Colonial Toxicity, which Hoetger led as part of the Edition IX - Bodies and Technologies biennial program (2022-2023) for If I Can’t Dance, Amsterdam. The book’s first edition was co-published in 2024 by If I Can’t Dance, Amsterdam; Framer Framed, Amsterdam; and edition fink, Zurich.

Nominated for Best Dutch Book Designs 2024⁠(opens in a new tab).

Author: Samia Henni
Managing editor: Megan Hoetger
Contributing editor: Georg Rutishauser
Copy editor: Janine Armin
Design: François Girard-Meunier
Page count: 592
ISBN: 978-94-92139-24-5 (Amsterdam)