• In a university room, four people sit around tables set up in a U shape. At the front, a person is standing up or slightly resting against a table. A slide with two black and white photographs is being projected behind them.

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    Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.

  • A laptop screen is partially visible, with several  photo files open on the desktop. Behind it, five people sit around tables in a university room.

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    Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.

  • Two text print outs have been set on a table. A thick yellow highlighter lays on top. In the background, five other people sit around other tables, looking in the same direction.

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    Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.

  • Open laptop computer, showing a desktop with several open image files. Two text printouts are laying next to the computer.

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    Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.

  • Website section showing three images with descriptions.

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    Chapter homepage. Susanne Altmann, Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio⁠(opens in a new tab), May - October 2023.

  • Website section showing some text and two images, which appear inside blue blocks.

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    “Seminar 3: Utopian Visions and/of Production Technologies in the Early Soviet Period” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio⁠(opens in a new tab), May - October 2023.

  • Website section showing eighteen photographs, mostly in black-and-white, inside blue blocks.

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    “Seminar 3: Utopian Visions and/of Production Technologies in the Early Soviet Period” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio⁠(opens in a new tab), May - October 2023.

  • Website section showing two images and a text. Part of the text and the two images appear inside a green block.

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    “Seminar 2: Collective ideologies, communal practices, and women’s art in East Germany” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio⁠(opens in a new tab), May - October 2023.

  • Website section showing nineteen photographs, which appear inside green blocks.

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    “Seminar 2: Collective ideologies, communal practices, and women’s art in East Germany” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio⁠(opens in a new tab), May - October 2023.

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Socialist Collectivity and the Aesthetics of (Dys)functionality was a workshop at the University of Amsterdam conceived by art historian Susanne Altmann and co-facilitated by Altmann and Hoetger, which invited students to critically reflect on the concept of ‘the collective’, as it was ideologically envisioned through texts, as well as visually represented across films, in the period 1949-1989. Directors and artists under discussion included: David Maryan, Lev Kuleshov with Aleksandr Rodchenko, Kira Muratova, Jürgen Böttcher, Evelyn Richter, and the Erfurt Women Artists’ Group (Künstlerinnengruppe Erfurt).

Following the workshop, Hoetger created three online ‘seminars’ in conversation with Altmann, which open up visual and textual materials from Altmann’s research process to audiences beyond the classroom setting. Each seminar shares a different facet of her research on women’s artistic practices in the early Soviet Union (c. 1917) and late East Germany (c. 1980s). Each seminar also features an episode of the podcast series Talk Me Through…, which takes listeners inside Altmann’s method of close reading analysis.

Altmann’s workshop formed part of the commission When Technology Was Female, which Hoetger led as part of the Edition IX - Bodies and Technologies biennial program (2022-2023) for If I Can’t Dance, Amsterdam. It was realized within the frame of “Collectivities and Technology Entangled”⁠(opens in a new tab), a masterclass seminar organized by Hoetger and Professor Dr. Christa Maria Lerm-Hayes at the University of Amsterdam. Special thanks to the Netherlands Institute for Cultural Analysis and the Amsterdam School for Heritage, Memory and Material Culture for their support of the seminar program.