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Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.
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Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.
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Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.
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Susanne Altmann, Socialist Collectivity and the Aesthetics of (Dys)functionality closed student workshop, University of Amsterdam, November 2022. Photo: Megan Hoetger.
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Chapter homepage. Susanne Altmann, Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio(opens in a new tab), May - October 2023.
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“Seminar 3: Utopian Visions and/of Production Technologies in the Early Soviet Period” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio(opens in a new tab), May - October 2023.
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“Seminar 3: Utopian Visions and/of Production Technologies in the Early Soviet Period” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio(opens in a new tab), May - October 2023.
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“Seminar 2: Collective ideologies, communal practices, and women’s art in East Germany” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio(opens in a new tab), May - October 2023.
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“Seminar 2: Collective ideologies, communal practices, and women’s art in East Germany” from Susanne Altmann’s Three Seminars from ‘When Technology Was Female’, www.ificantdance.studio(opens in a new tab), May - October 2023.
Socialist Collectivity and the Aesthetics of (Dys)functionality was a workshop at the University of Amsterdam conceived by art historian Susanne Altmann and co-facilitated by Altmann and Hoetger, which invited students to critically reflect on the concept of ‘the collective’, as it was ideologically envisioned through texts, as well as visually represented across films, in the period 1949-1989. Directors and artists under discussion included: David Maryan, Lev Kuleshov with Aleksandr Rodchenko, Kira Muratova, Jürgen Böttcher, Evelyn Richter, and the Erfurt Women Artists’ Group (Künstlerinnengruppe Erfurt).
Following the workshop, Hoetger created three online ‘seminars’ in conversation with Altmann, which open up visual and textual materials from Altmann’s research process to audiences beyond the classroom setting. Each seminar shares a different facet of her research on women’s artistic practices in the early Soviet Union (c. 1917) and late East Germany (c. 1980s). Each seminar also features an episode of the podcast series Talk Me Through…, which takes listeners inside Altmann’s method of close reading analysis.
Altmann’s workshop formed part of the commission When Technology Was Female, which Hoetger led as part of the Edition IX - Bodies and Technologies biennial program (2022-2023) for If I Can’t Dance, Amsterdam. It was realized within the frame of “Collectivities and Technology Entangled”(opens in a new tab), a masterclass seminar organized by Hoetger and Professor Dr. Christa Maria Lerm-Hayes at the University of Amsterdam. Special thanks to the Netherlands Institute for Cultural Analysis and the Amsterdam School for Heritage, Memory and Material Culture for their support of the seminar program.